Tuesday, August 6, 2019
Electric Vehicle Charging Station Market in Southeast Asia Essay Example for Free
Electric Vehicle Charging Station Market in Southeast Asia Essay An electric vehicle charging station, also called an electric recharging point, or charging point, supplies electric energy to charge PEVs, including all-electric cars, neighborhood EVs, and plug-in hybrids. Two technologies are used in charging stations, wired AC charging and DC charging. Depending on the type of charging station, these are segmented into Level 1 Charging Station, Level 2 Charging Station, and Level 3 Charging Station. The performance of the equipment is measured in terms of the charging time, input power supply, voltage, and maximum operating current. Covered in this Report. This report covers the present scenario and the growth prospects of the Electric Vehicle Charging Station market in Southeast Asia for the period 2014-2018. To calculate the market size, the report considers revenue generated through the sales of level 1, level 2, and level 3 charging stations. The  report also presents the vendor landscape and a corresponding detailed analysis of the five key market vendors. In addition, it discusses the major drivers that influence the growth of the market and the challenges faced by the vendors and the market at large. The report also outlines the key trends emerging in the market that will contribute to the growth of the Electric Vehicle Charging Station market in Southeast Asia during the forecast period.
Monday, August 5, 2019
Cultivation of Red Seaweed Kappaphycus Alvarezii (Doty)
Cultivation of Red Seaweed Kappaphycus Alvarezii (Doty) Cultivation of red seaweed Kappaphycus alvarezii (Doty) in deeper-seawater of South Sulawesi, Indonesia Petrus A. Wenno Abstract. The culture of red seaweed Kappaphycus alvarezii in shallow water is at present increased in accordance with the necessity to multiply biomass. This economic commodity is highly demand for its polysaccharide. However, an effort to expand the cultivation area is difficult to several places. This problem may be overcome by employing some hanging rafts at different depths. This research was carried out for 49 days under three different treatments, i.e., two morphological types (green and brown), three initial seedlings (50, 100 and 150g) and five different water depths (100, 250, 400, 550 and 700 cm). The result showed significant differences in growth and biomass among three treatments (P Keywords: Kappaphycus alvarezii, deeper water, daily growth rate, biomass, carrageenan Introduction. The culture of red seaweed Kappaphycus alvarezii has been conducted in almost around Indonesia waters recently since it was first introduced (Adnan and Porse 1987). Normally, the culture take place in shallow waters at a depth of about 10 meters, but not all waters can be utilized for culturing. Seaweed biomass obtained through longline technique in shallow waters can produce about 12 tons acre yr-1 (Dahuri 2012). The product can reach 48 tons acre yr-1 when vertical technique is deployed in deep water (Hurtado and Agbayani 2002). Deep water area can be used as a productive culture site when meet the requirements of seeds quality, the initial weight and water depth. The utilization of deep waters should be in agreement to the status of coral reefs around the location as an essential requirement for obtaining higher biomass production (Chandrasekaran et al. 2008). High biomass production achieves through deep water culture system (Hurtado-Ponce et al. 1996) suggest that the deep water can be used for large-scale cultivation. Sahoo et al. (2002) and Sahoo and Ohno (2003) suggest that water comes from deep column is very rich in nutrients and can be used alternatively as laboratory culture media and cultivation media for Kappaphycus and other types of seaweed. However, the use of deep water has several constrains related to physical and chemical characteristics, cultivation equipment and proper environment to make it usable. As an important commodity with high market demand, cultivation of K. alvarezii requires broader area in order to meet market demand (Nurdjana 2010). There are few studies related to growth and carrageenan content generating in shallow waters (Hurtado et al. 2008; Naguit et al. 2009). However, there were not many studies dealt with growth and the yield of carrageenan in deeper waters. This study was aimed to assess the growth of K. alvarezii in deeper waters based on different strains, initial weights and depths of the waters that affect growth, biomass and the yield of carrageenan. 2 Material and Method. Seedlings of green and brown strains of K. alvarezii were obtained directly from the cultivation area in the Takalar Regency of South Sulawesi. These seeds were used after three days acclimatization. Good seeds are the young plants with their tips still sharp and in conical shape (Neish 2005). The seeds were then put at hanging raft (Figure 1) and monitored for 49 days for growth, biomass and carrageenan yield. Hanging rafts (Wenno 2014) were designed to replace hanging rope techniques (Hurtado et al. 2001). Each raft consists of two PVC pipes (L = 200 cm, à ¸ = 5 cm) filled with a mixture of concrete cement which served as the weigh. Both PVC pipes connected by two pieces of wood (H x W x L: 5 x 7 x 400 cm) at the end to form a raft. The total area of raft is 8 m2 (W x L: 200 x 400 cm). Some nylon strings (à ¸ = 4 mm) with the length of 4 m were used to connect both PVC pipes and functioning as a binding place for seaweed seeds. The distance between the nearest two strings was 20 cm. The raft was hung in the water column with the help of the buoy ropes (à ¸ = 10 mm) and was placed at different depths (100, 250, 400, 550 and 700 cm). The buoy was made of Styrofoam (H x W x L: 40 x 50 x 50 cm). During operation, the first raft was connected to the second; the second raft was connected to the third and so on until the fifth at a maximum depth of 700 cm. The hanging rafts construction was t hen tied to the anchor ropes (à ¸ = 12 mm), meanwhile the anchor was made from flour sacks filled with sand (Figure 1). buoy water line nylon ropes hangring rafts PVC with concrete cement inside sandbags anchor raft, view from above Figure1. Hanging rafts construction, viewed from frontage (Source: Wenno 2014) Seaweed seeds were then tied to the span ropes according to tie-tie technique (Goes and Reis 2010). Seedlings from different initial weights (50, 100 and 150 g) were tied to the twin knot ropes (à ¸ 1 mm). The closest distance between two nodes was 20 cm. Seeds of different strains and different initial weight (250, 500, 750 g) were placed on different rafts at different depth. Samplings were carried out for seven consecutive weeks. Data were then used to calculate daily growth rate (DGR) which was determined weekly using the following formula of Dawes et al. (1993) in Hurtado et al. (2001) as follows: à °Ã‚   ·Ãƒ °Ã‚   ºÃƒ °Ã‚ ‘†¦= à °Ã‚   ¿Ãƒ °Ã‚ ‘†º à °Ã‚ ‘Å Ã °Ã‚ ‘ ¡Ãƒ °Ã‚ ‘Å 0 1à °Ã‚ ‘ ¡ Ãâ€"100 Where : DGR = daily growth rate (%) à °Ã‚ ‘Å Ã °Ã‚ ‘ ¡ = fresh weight at day t à °Ã‚ ‘Å 0 = initial fresh weight t = time interval of measurement (7 days) 3 Seaweed biomass was recorded at the end of experiment and expressed as fresh weight of seaweed per unit culture area (g.m-2), and computed with the following formula: à °Ã‚ ‘Œ= à °Ã‚ ‘Å Ã °Ã‚ ‘ ¡Ã¢Ë†â€™Ãƒ °Ã‚ ‘Å 0 à °Ã‚   ´ Where: Y = biomass production à °Ã‚ ‘Å Ã °Ã‚ ‘ ¡ = fresh weight atday t à °Ã‚ ‘Å 0 = initial fresh weight A = area of 1 m2 raft. The measurement of carrageenan contents (yield) following the formula suggested in Hayashi et al. (2007) and Hung et al. (2009): à °Ã‚ ‘ŒÃ °Ã‚   ¶= à °Ã‚ ‘Å Ã °Ã‚   ¶Ãƒ °Ã‚ ‘Å Ã °Ã‚ ‘‘à °Ã‚ ‘ ¤ Ãâ€"100 Where: YC = carrageenan content (%) à °Ã‚ ‘Å Ã °Ã‚   ¶ = weight of carrageenan extract (g) à °Ã‚ ‘Å Ã °Ã‚ ‘‘à °Ã‚ ‘ ¤ = dry weight of analysed thallus (g) Three factor analysis of variance according to Zar (1999) were used to analyse the experiment data and was performed with SPSS v 21 software. Subsequent analysis with Tukeys HSD test was computed when there were significant differences among treatments with level of significance (P Results and Discussions. Daily growth rate of Kappaphycus alvarezii shows the interaction between strain and initial weight, strain and depth, as well as the initial weight and depth which was highly significant (P0.05). Further test showed that the highest daily growth rate of green and brown strains was obtained at the initial weight of 100g, which tend to be the same (2.84%). It was related to the density of plant (Hurtado et al, 2008), leading to rapid growth in the initial weight. Daily growth rate at the initial weight of 100g was influenced by the interaction between solar radiation, temperature, nutrient and water movement (Santelices 1999), and causing absorption of nutrients faster than other initial weights. Absorption of nutrients was influenced by the density of plants (Azanza-Corrale et al. 1996). Daily growth rate of K. Alvarezii of green and brown strains tend to be the same. The highest similarity daily growth rate in green strain was achieved at the depths of 100 and 250 cm (2.55%), and the lowest one was at 700 cm depth (2.23%). The highest similarity daily growth rate in brown strain was also achieved at the depth of 100 and 250 cm (2.83%), and the lowest one was at a depth of 700 cm (2.57%). The highest daily growth rate of green and brown strains associated with the movement of water (Santelices 1999). The movement of the water at that depth was turbulent, consequently reduce the thickness of water that is not mixed in the boundary layer (Neish 2005), and the absorption of nutrients in this depth is faster. Glenn and Doty (1990) suggested that the absorption of nutrients during the fast flowing water between thalli is higher for ammonium at a lower depth than for nitrate at the higher depth. The absorption of ammonium by seaweed is more important than nitrate (Dy and Y ap 2001; Raikar and Wafar 2006). Similarly to daily growth rate, biomass production of K. alvarezii showed the interaction between strain and initial weight, strain and depth, as well as the initial weight and depth which was highly significant (P0.05). The highest biomass production of green strain was achieved for the initial weight of 100g (10,219 g.m-2), and the lowest with the initial weight of 50g (6,709 g.m-2). The highest biomass production of brown strain was found for the initial weight of 150 g (11,450 g.m-2), and the lowest one with the initial weight of 50g (7,479 g.m-2). The highest biomass production achieved was related to the density of K. alvarezii thalli (Hurtado et al. 2008) that affect the circulation of nutrients. With the initial weight of 100g the biomass production of green and brown strains gained was two times higher than the initial weight of 50g. The 4 biomass production of green strain with the initial weight of 100g was optimal and may not be increased above this initial weight whilst the biomass production of brown strain can be increased up to the initial weight of 150g. The highest biomass production of green strain can be obtained at a depth of 100 cm (9,172 g.m-2) and of brown strain at a depth of 250 cm (10,522 g.m-2). The similarity of the highest biomass production of both strains obtained at depths of 100 and 250 cm. The highest biomass production similarity of brown strain was achieved at 100 and 250 cm depth. This is related to the absorption of nutrients in the lower depths which is faster than that of the higher depth (Neish 2005). Turbulent water movement causes the thickness of the boundary layer between the water and thalli reduced and accelerated the diffusion of nutrients into thalli (Neish 2005). Biomass production of K. alvarezii was influenced by the interaction between nutrients and the movement of seawater among thalli (Santelices 1999). The yield of carrageenan in K. alvarezii shows the interaction between strain and initial weight, strain and depth, as well as the initial weight and depth and was highly significant (P0.05). The yield of carrageenan of green and brown strains was obtained with low initial weight. The yield of green strain obtained with the initial weight of 50g was higher (15.06%) than that of the brown strain (12.33%) of the same initial weight. The yield of green and brown strains was higher at the higher depths when compared to the lower depths. The highest yield of carrageenan in green strain was obtained at a depth of 550 cm (14.71%) and brown strain at the depth of 700 cm (12.18%). The highest yield of carrageenan is the result of the interaction between depth and the initial weight at a depth of 700 cm with the initial weight of 50g (14.70%), followed by the initial weight of 100 g (13.25%) and the initial weight of 150g (11.95%). The results showed that the yield of carrageenan in both strai ns was not in line with the daily growth rate. It was found that the yield of carrageenan in this study was contrarily with the finding of Hurtado et al. (2008) with a long line cultivation technique, which yields an increase in line with the daily growth rate. In this study, carrageenan yield of K. alvarezii green and brown strain increases with the depth and corresponding with the increasing level of carotenoid which obtained at the highest carotenoid level at a depth of 700 cm for both strains. Carotenoid acts as antenna pigments for absorbing light in the process of photosynthesis to produce carbohydrates. However, carrageenan yield in this study is lower than the findings of Hayashi et al. (2007) and Distantina et al. (2011). Conclusions. Daily growth rate of K. Alvarezii green and brown strains was influenced by the initial weight and tend to be reduced by an increasing of depth. Biomass production was also reduced by the increasing depth with the highest biomass of green strain obtained with lower initial weight, and brown strain with higher initial weight. The yield of carrageenan increased according to depth with the highest yield was observed at green strain compare to brown strain. To obtain higher biomass and carrageenan yield, cultivation should be done at a lower depth for green strain and at a rather lower to higher depth for brown strain. Acknowledgements. This study was supported by BPPS grant of DGHE from Ministry of Education and Culture Affair of Republic of Indonesia. The author would like to thanks Mr. Akrim Djusdil, Chairman and Mr. Mus Mulyadi, Analyst of PT. Bantimurung Indah in Maros Regency of South Sulawesi for their help; and thanks also to Daeng Bani the seawee
Sunday, August 4, 2019
Allen Ginsberg’s America and Kerouac’s Vanity of Puluoz :: Ginsberg America Essays
Allen Ginsberg’s America and Kerouac’s Vanity of Puluoz  Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s â€Å"America,†to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem â€Å"America,†makes a point that not many of us can see as obvious: â€Å"It occurs to me that I am America. I am talking to myself again.†Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, â€Å"America I’m putting my queer shoulder to the wheel.†Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal Amer ican. Kerouac’s view of America was completely different from Ginsberg’s view. Kerouac saw America as a beautiful place, with many unexplored regions for himself, and the rest of the people in the country. Kerouac credited his love for America to Thomas Wolfe. In Kerouac’s book Vanity of Puluoz he said that Wolfe made him realize that America was not a dreary place to work and struggle in, it was a poem. If everybody thought of America as a poem rather than a place where we just come to in order to live work and die, this country would be the ideal place that Kerouac wanted it to be. The â€Å"Night of the Wolfeans†was an event in the lives of the Beats that affected them for a long time. It brought together all of the Beat’s feelings toward America. They were put into two categories: â€Å"Wolfeans,†and â€Å"non-Wolfeans.†Kerouac and Hal Chase were heterosexual, all-American boys who believed in America, the perfect image of the American citizen. The non-Wolfeans (William Burroughs and Ginsberg) were also known as â€Å"Baudelaireans†or â€Å"Black Priests.†They wanted to destroy the Wolfeans and all that they believed in. The Beats felt that everybody fell into one of these two categories. One thing that all the Beats agreed upon, was that in order to truly become a great writer, you had to be considered an American writer.
Saturday, August 3, 2019
Orson Scott Cards Enders Game Essays -- Enders Game Essays
In Orson Scott Card's novel Ender's Game, the reader is taken into a fascinating futuristic world in which the human race is in danger. Having twice survived alien attack, the human race, fearing a more powerful invasion, develop a program to breed and train a warrior who will lead them to a final victory. The young boy chosen to do just that is six year old Andrew Wiggin also known as Ender. According to the government, Ender exhibits the traits needed to assure victory. At six years old he enters battle school and begins preparation for the bugger war. While in battle school Ender excels in simulation games of battles and is quickly promoted to higher levels in his training. However, being the best of the best at this school doesn't make it easy on Ender. He has to learn to overcome his fears and realize that the world depends on him to save the human race from extinction. Orson Scott Card takes the reader into a future where a young child, property of the government, endures a lon ely, isolated existence as he plays endless hours of games designed to prove his ability to lead and win. Throughout the novel, the theme of courage and betrayal are eminent in Ender's life. These two themes combined make Ender the independent, courageous and distrusting person he becomes, until he finds a purpose in life. Courage was constantly shown through the character of Ender Wiggin. Since the time he left his family, Ender demonstrated a great amount of courage in dealing with the fact that he was away from his parents and sister Valentine. At only six years old, Ender Wiggin was taken from his family to battle school in an attempt to train him to destroy the buggers. Thousands of miles away from home, Ender had to build up courage and demon... ...tastrophe. "Ender carried with him a dry white cocoon, looking for the world where the hive-queen could awaken and thrive in peace" (324). Orson Scott Card takes the reader through an intriguing journey of betrayal and courage. Through Ender Wiggin we are able to capture the different emotions and problems that lead a society to destruction. The character of Ender portrays the destruction of an individual when a person's life lacks love and nurture. Despite the fact that Ender Wiggin possessed an immense amount of courage and that he became a hero when he saved the human species from an alien invasion, his life was unhappy and incomplete until he found a purpose in his life. That purpose was to hold and protect the future of the alien species in his hands. Works Cited Card, Orson Scott. Ender's Game. New York: Tom Doherty Associates, LLC, 1977. Print.
Friday, August 2, 2019
Napoleon Essay -- essays research papers
During rough times in France in the late 1700’s, an anarchy was being formed. A revolution turned into civil war and the people were unhappy and needed a leader. At this time, General Napoleon Bonaparte took an opportunity. Napoleon’s fame for winning battles in the Middle East and Egypt and crushing royalist uprisings back at home allowed him to take over the Directory with ease. Recognized for his great military skills and outstanding leadership, Napoleon easily won over the hearts of the people.     Napoleon’s first move was to obtain leadership. With the help of Pope Pius VII Napoleon was named First Consul of France. Though France was now declared an empire, it was technically a Republic because of the set Constitution. Through this Constitution, Napoleon set up a system of government that helped settle the disputes of France. Napoleon’s career was arranged into a series of both accomplishments and defeats. He demonstrated his accomplishments during battle as well as in government. By setting up the Napoleonic code, Napoleon unified the old Feudal Law and Royal Laws. Many of the laws set up, were based on his knowledge of the Enlightenment. He simplified the laws of old as well as new, and allowed freedom of speech and press. His main idea with these laws was to give all men equal rights. Women were also included into several laws. Another accomplishment was shown through religion. Though he supported Cat...
Gangsta’s Paradise
Will Jellicorse Samantha Holt English 101 1 October 2011 The Definition of Paradise One person's utopian world may not always be the same as their neighbor’s. What one person may deem a paradise may well be a slum for others. Depending on the time and location of the speaker, their ideal lifestyle may be a reality, or simply a dream of one. Both Stevie Wonder, and Coolio musically interpret their societies’ idea of paradise. Both Coolio’s and Wonder’s songs gloomily display their views on society. Through the difference in context of each writer’s life, these two interpretations of the same song are very different in meaning.Both songs identify the struggle of life as being directly related to the evils of the world such as money and power. Stevie Wonder's â€Å"Pastime Paradise†reflects on the racial inequalities that America has struggled with for decades. The song also describes the hope for a future world free from discrimination. Coolio 's â€Å"Gangsta’s Paradise†represents the hard lived lives of gangsters in inner cities. The song also alludes to their dream of one day living in peace. Wonder’s â€Å"Pastime Paradise†reflection on discrimination between races was greatly altered by Coolio’s â€Å"Gangsta’s Paradise. Coolio’s description of struggles between gangs was still similar in theme, but very different in meaning. Stevie Wonder was born on May 13, 1950 in Saginaw, Michigan (Marquis Who's Who LLC. ). The blind Stevie Wonder has been known by America as an R&B icon since his early 1963 release of â€Å"12 Year Old Genius†. Since his start in the music industry, Wonder has won 25 Grammy Awards (Africa News), was inducted into the Rock and Roll Hall of Fame in 1989 (Puterbaugh), and has been recently awarded the Library of Congress' Gershwin Prize for Popular Song by President Obama (Africa News).Throughout his career, Wonder has created many songs in which he addresses certain subjects in order to bring change. Wonder once said â€Å"I am not a politician. I am an artist. I do express certain feelings about certain things. Even if I give a song that deals with a negative subject, it's only constructive criticism to encourage our minds to look and go in a positive direction†(Trescott). When Wonder released his 1976 hit song â€Å"Pastime Paradise†, America had only been integrated for 22 years. In America during 1976, most blacks were not treated equally.Wonder’s lifetime experiences with race relations directly influenced his word choice in â€Å"Pastime Paradise†. In his music, Wonder usually plays songs with his signature style of being weirdly mellow, and forcibly upbeat (Mazmanian). But in â€Å"Pastime Paradise†, Wonder strongly reveals his concerns with how African Americans are treated. He does this by giving the song a gloomy, depressing style. Wonder best demonstrates his concerns wi th racial inequality by using powerful words such as â€Å"segregation†, â€Å"race relations†, â€Å"mutations†, and â€Å"miscreation†.When Wonder references those â€Å"living in a pastime paradise†, he is possibly alluding to how Americans are so fixated with the past. Another interpretation of Wonder’s song is that he is alluding to African Americans wanting to be back in Africa with their ancestors. Many African Americans have been trying to earn equality ever since slavery was abolished. Wonder is no exception to this. Through a combination of protest, song, and support of fellow blacks, Wonder demonstrates his support for equality in America.It is apparent in the second half of the song that Wonder dreams of the integration of man. In the second half of the song, Wonder describes a future paradise in which there is no such thing as inequality between different races. He uses words such as â€Å"consolation†, â€Å"integration †, and â€Å"confirmation†to paint a picture of a world in which all people can live together in unity. Through his credibility of being a pop icon, Wonder hoped that people would hear his song and want to end any racial inequalities still present in America.Wonder may not just be one of the biggest R&B musicians ever, but he is also very politically conscientious. Wonder even went as far as being an activist against oppression when he was arrested along with a group of anti-apartheid demonstrators outside of the South African Embassy (AP). Whether directly or indirectly stated, Wonder tends to place his political views in his lyrics. In â€Å"Pastime Paradise†, Wonder expresses his support of African American rights through the line â€Å"Proclamation of Race Relations†.Wonder strongly supports the idea of a peaceful, unified America. Wonder supported Martin Luther King's beliefs of an integrated world so much that he helped persuade President Reagan to make Martin Luther King's birthday a national holiday (Egan). Although most of Wonder’s words are inspiring, some of his lyrics were not always politically supportive. In some cases, Wonder criticized the political leaders of America. President Nixon was a particular American leader that Wonder did not trust. Wonder released two songs in which he bashed Nixon's credibility.Wonder's 1973 â€Å"He's Misstra Know-It-All†, and his 1974 â€Å"You Haven't Done Nothin†both presented Wonder's ill faith in the American government. Wonder uses music to make others aware of problems in American society and to evoke a change in society; similarly, rap artist Coolio uses the lyrics in his 1995 hit song â€Å"Gangsta’s Paradise†to make his audience aware of problems in his community. Through his remix of Wonder’s original, Coolio uses the inspiration from the struggles that Wonder faced to correlate his own personal struggles with gang life.Artis Leon I vey Jr. , also known as Coolio was born on August 1, 1963 in the South Central Las Angeles area of Compton (Jinman). Tommy Boy Records Label Company released this song as a single for the soundtrack for the movie â€Å"Dangerous Minds†(Reece). The song â€Å"Gangsta's Paradise†was insanely popular with the public. It's depiction of life in the inner city could have been relatable to most lower class people around the United States, and was adopted by some of the richer white teenagers living in the suburbs.With his release of â€Å"Gangsta’s Paradise†, Coolio portrays himself as a â€Å"Gang-Banger†. Coolio’s remix was likely so popular due to his hard, thuggish appearance. If he had seemed emotionally soft, or sympathetic then his audience may not have been so inclined to believe his credibility as a gangster. Although throughout his career, Coolio has not always been portrayed as a gangster. Coolio has also appeared on the Nickelodeonâ⠂¬â„¢s â€Å"All That†as a musical guest. When he appeared on the opening credits of the show, he did not appear gangster.When he appeared on â€Å"All That,†Coolio most likely altered his attitude in order to better suit the expectations of the younger audience. While Coolio appeared as a gangster in â€Å"Gangsta’s Paradise†, he also demonstrated how he could alter his persona in his appearance on â€Å"All That†. When â€Å"Gangsta’s Paradise†was released, the racial gang violence demonstrated in rap music was attractive to a few particular audiences. Many younger Americans during the 90’s began to embrace rap music. Many poorer minorities living in the inner cities related to Coolio's portrayal of gang life.The fact that Coolio served seven months of jail time for committing larceny at the age of seventeen (Hatt, and Schnaufer), and that he had gotten addicted to crack cocaine before the age or twenty (Fulton) supports h is credibility of being a gangster. Coolio at a young age joined a Compton based gang called the Baby Crips (Fulton). Coolio possibly used lyrics such as â€Å"being down with the hood team†in order to express how important it was for him to become affiliated with a gang. Many richer, white Americans also adopted the context of Coolio’s gang life.Much like the hippie revolution of the 60's, many white American youths wanted to associate with a culture that was different from their own. This combined fan base of many richer white, and poorer minority youths gave Coolio tons of publicity. His success at being a rap artist was largely contributed to this integrated fan base. â€Å"Gangsta’s Paradise†not only won a Grammy award for best solo rap performance of the year (McElroy), but was parodied by Weird Al Yankovic, sold over 2 million copies, and stayed on the Hot Rap Singles Chart at number 1 for 10 weeks (Reece). Gangsta’s Paradise†depict s the life of a gangster and its two possible outcomes, either death or prison. In his song, Coolio describes himself as an â€Å"educated fool. †Being an â€Å"educated fool†means that he understands the consequences of living life as a gangster, but does it anyway. With this description, he acknowledges his actions as â€Å"foolish. †This knowledge of what happens to gangsters is why Coolio constantly alludes to death in the lyrics of â€Å"Gangsta’s Paradise†. At the end of the song, he states, â€Å"the ones we hurt, are you and me†.In these lines, Coolio expresses his idea that gang members not only hurt others, but also hurt themselves. By using such emotional lyrics, Coolio suggests that gang members must alter their lifestyle in order to have a better tomorrow. Stevie Wonder's â€Å"Pastime Paradise†and Coolio's â€Å"Gangsta’s Paradise†are both depressing representations of how America defines a paradise. B oth songs are completely different due to their difference in context. Through Coolio’s life experiences with gang affiliation, he drastically changed the meaning of his remixed version of Wonder’s original. Pastime Paradise†reflects on the evils of the world being due to prejudice, people living in the past, and how equality among race can make a better future. While â€Å"Gangsta’s Paradise†states how gang violence should end. It also emphasizes that there are certain factors that cause people to join gangs. Coolio demonstrates how racism and poverty within the community both contribute to people becoming gang affiliated. Both Coolio’s and Wonder’s songs emotionally portray how America has fought for peace and equality throughout the decades.Coolio and Wonder preformed together in 1996 at the Billboard Music Awards, where they used lines from both â€Å"Pastime Paradise†and â€Å"Gangsta’s Paradise†(Wonder). Wonder and Coolio showed that when they played the two versions together, their songs’ emotional appeal to the audience was greatly enhanced. Number of Words: 1663 Works Cited: Crawford, Selwyn. â€Å"Arrests weaken infamous gang, police say. †Dallas Morning News 21 11 2010. n. pag. LexisNexis. Web. 10 Oct 2011. Egan, Barry. â€Å"Little Stevie's Life in The Key of Wonder. †Sunday Independent (Ireland) 30 05 2010. n. pag. LexisNexis. Web. 5 Oct 2011.Fulton, Rick. â€Å"I'LL TEE U WHEN I GET THERE! ; It's a fairway to heaven for Coolio; Singer Coolio wants to play Scotland – but on our golf courses, not in our stadiums. †Daily Record 26 09 1997. n. pag. LexisNexis. Web. 10 Oct 2011. â€Å"Ghana; Obamas Honour Stevie Wonder At White House. †Africa News 27 02 2009. n. pag. LexisNexis. Web. 5 Oct 2011. Hatt, Doug, and Jeff Schnaufer. â€Å"Gangsta In Paradise. †People 45. 4 01 29 1996. n. pag. Academic Search Premier. Web. 3 Oct 2011 . Huey, Steve. â€Å"Person: Wonder, Stevie 1950-. †All Music Guide n. pag. Music Online: African American Music Reference. Web. Oct 2011. Jinman, Richard. â€Å"RAPPER SHOOTS STRAIGHT FROM THE HIP. †THE AUSTRALIAN 07 05 1996. n. pag. LexisNexis. Web. 5 Oct 2011. Jones, Tony. â€Å"Putting down roots (again); A new CD and a free gig. Tony Jones on Stevie Wonder. †Independent (London) 27 02 2009. n. pag. LexisNexis. Web. 5 Oct 2011. Marquis Who's Who LLC. , . â€Å"Stevie Wonder. †Stevie Wonder also known as Steveland Hardaway Judkins 26 08 2011. n. pag. LexisNexis. Web. 3 Oct 2011. Mazmanian, Adam. â€Å"A pop Wonder stirs listeners. †THE WASHINGTON TIMES 25 02 2009. n. pag. LexisNexis. Web. 4 Nov 2011. McElroy, Steven. †Coolio Is Arrested.. New York Times 03 09 2009. n. pag. Academic Search Premier. Web. 6 Oct 2011. Puterbaugh, P. â€Å"Rock & Roll Hall of Fame. †Rolling Stone. 09 02 89: n. page. Web. 5 Oct. 2011. Reece, Dougla s. â€Å"Tommy Bo'ys Coolio finds `Paradise'. †Billboard 107. 49 12 995. n. pag. Academic Search Premier. Web. 3 Oct 2011. Williams, Chris. â€Å"Stevie Wonder’s Songs In the Key Of Life revisited on its 35th anniversary | Return To The Classics. †Soul Culture. Soul Culture Media LTD, 28 09 2011. Web. 3 Oct 2011. Wonder, Stevie. â€Å"Stevie Wonder Biography Chapter 21. †Stevie Wonder. N. p. , n. d. Web. 3 Oct 2011.
Thursday, August 1, 2019
General Economic Indices for the Power Tool Market Essay
In assessing the power tool industries, it can be found that there are several general economic indices which have are important in assessing the viability of the industry. There are four of these which could be assessed for the purpose of the Able Corporation as they pursue their goals with their products. These four general economic indices include housing starts, expenditures for residential construction, expenditures for commercial construction, and expenditures for home repairs and improvement. First, the housing start statistics which have become relevant to the industry â€Å"represent the beginning of the construction of new privately owned single-family homes, townhouses, and multifamily apartment buildings†(Frumkin, 2005, p. 132). Moreover, it excludes infrastructures for housing which fall under mobile homes, group quarters, public housing properties, renovations made to existing houses, and converted housing from non-residential to residential housing (Frumkin, 2005). From the historical data presented from the US Census Bureau, there is an erratic trend that can be seen from the year 2004 to 2008. However, it is apparent that there is a continuous decrease from the year 2005 up to the 2008 leaving the year 2004 as the only exception. The respective values for each year are 1,955,800 for the year 2004; 2,068,300 for the year 2005; 1,800,900 for the year 2006; 1,355,000 for the year 2007; and 905,500 for the year 2008 (â€Å"New Privately Owned,†n. d. ). From the trend shown, it is made apparent that the housing units which have been started are becoming lower every year from the US data. Second, there are also relevant data which are made available for the expenditures which are placed for residential repairs and improvement. This type of data shows the amount of money that has been used for the purpose of improving the residential places for purposes of repairs and improvement. For the year 2003, the data shows that $179,700,000,000 has been spent on the first quarter, $173,200,000,000 has been spent on the second quarter, $187,400,000 has been spent on the third quarter, and $166,700,000,000 has been spent on the fourth quarter (US Census Bureau News, 2008). On the other hand, there are costs of $198,900,000,000 for the first quarter, $192,600,000,000 for the second quarter, $202,100,000,000 for the third quarter, and $200,500,000,000 for the fourth quarter (US Census Bureau News, 2008). For the year 2005, the respective value for the first to fourth quarters are $213,600,000,000 $192,800,000,000, $220,900,000,000 and $235,500,000,000 (US Census Bureau News, 2008). For the year 2006, the values for the respective four quarters are $232,200,000,000, $225,000,000,000, $231,000,000,000, and $226,000,000,000 (US Census Bureau News, 2008). As for the year 2007, the value for the first to the fourth quarter is $230,900,000,000, $227,700,000,000, $213,200,000,000, and $236,600,000,000 (US Census Bureau News, 2008). From these values, it is shown that the expenditures for each quarter and across the years are increasing such that there has been more cost spent for this on the latest years of the historical data. Third, the report of the US Census Bureau also shows that there are also expenditures for residential construction which can be studied from the year 2003 to 2007. For the year 2003, the total expenditure is $705,276,000,000. The succeeding values are: $803,305,000,000 for 2004, $897,989,000,000 for 2005, $937,047,000,000 for the year 2006, and $875,010,000,000 for the year 2007 (â€Å"Construction and housing,†2009). While the trend shows that here is a constant increase from the year 2003 to the year 2006, there is a sudden plunge for 2007 which can be accounted to several economic factors that prohibit the construction of new residential infrastructures. Fourth, there is also an economic index available for expenditures on nonresidential units, which is also taken from the US Census Bureau. From the year 2003 to 2007, the respective values are $229,335,000,000, $238,478,000,000, $256,644,000,000, $295,715,000,000, and $349,566,000,000 (â€Å"Construction and housing,†2009). From these data, it can be observed that there is a continuous increase in the amount spent for the purpose of construction nonresidential units. In relation to the power tool market, these economic general indices are considered to be important because of the role it plays in terms of the demand for power tools which are required for construction. The housing start data would dictate how many new power tools may be required together with the amount of expenditures that are seen to be used for improvements and construction of new infrastructures. The fact that power tools are considered to be a necessity for the construction and repair of housing and nonresidential units relates this industry to the construction of housing and nonresidential ones. During cases where there are disparities, it is important to note that these general economic indices will be of great help only when accuracy is present. However, when there are cases where it is difficult to see which of the current findings are accurate, there should be information from other related economic factors that come from the government which could be a reliable source of data. Thus, it can be seen that there are several factors which affect the power tool market considering the economic relations it has with the construction industry. There are several ways through which the economic forecasts for the power tool industry can be obtained in relation to the construction data. References Frumkin, N. (2005). Guide to economic indicators (4th Ed. ). Armonk, New York: M. E. Sharpe. Newly Privately Owned Housing Units Started. (n. d. ). Retrieved April 23, 2009, from http://www. census. gov/const/startsan. pdf. Section 20: Construction and housing. (2009). Retrieved April 23, 2009, from http://www. census. gov/prod/2008pubs/09statab/construct. pdf. US Census Bureau News. (2008). Expenditures for improvements and repairs of residential properties estimated at $226. 4 Billion in 2007. Retrieved April 23, 2009, from http://www. census. gov/const/c50_curr. pdf.
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